LATEST NEWS…BIG DAY OUT 2012: THE LOWDOWN: Big Day Out is amongst one of the most recognised festivals in the world. Returning to Sydney on Australia Day with headliners such as Soundgarden and Kanye West, organisers had a few other tricks up their sleeve. Entertainment didn't just present itself in the form of live music; pro skater Tony Hawk was in fine form, proving that he can still shred in his early forties. Australian bands Stonefield and Frenzal Rhomb did their nation proud on Australia Day being noted as some of the highlights of the day. For New Zealand, it was Big Day Out's last hoorah as the festival has already announced it will not be returning. Despite good reviews, attendance numbers are dropping. In 2010 Big Day attracted over 337,000 fans, last year's shows drew 300,000 punters, while this year the festival sold just over 173,000 tickets…SABBATH BLOODY SABBATH: After a 33 year break from releasing an album, Black Sabbath announced their comeback fittingly on the 11/11/11. The original band members are set to record a new studio album - their first with Ozzy Osbourne since 1978. Since the announcement, it seems as though black magic has plagued the band. Tony Iommi was diagnosed with lymphoma last month resulting in relocating recording sessions to London and pulling out of a planned Coachella headlining slot. Now it is drummer Bill Ward who seems to be having management difficulties after releasing a long statement indicating he will not be apart of the reunion unless he is offered a "signable contract" that "reflects some dignity and respect toward me as an original member of the band." Let's hope Ward gets the contract he desires so they can get on with it and we get Sabbath back…JACK WHITE ANNOUNCES DEBUT SOLO ALBUM: Almost a year ago, Jack & Meg White shattered the music world announcing that they would no longer be recording or performing live together. A man who will never remain silent has just unveiled his new solo single 'Love Interruption' and announced the release of his debut solo album. The 23rd of April marks the date of White's return when his debut solo album 'Blunderbuss' hits the shelves. Produced by White at his Third Man Studio in Nashville, White describes 'Blunderbuss' as "an album I couldn't have released until now… I've put off making records under my own name for a long time but these songs feel like they could only be presented under my name. These songs were written from scratch, had nothing to do with anyone or anything else but my own expression, my own colours on my own canvas."…TRIPLE J'S HOTTEST 100: Another Australia Day means another Hottest 100 count down, an event that most musically minded Australians listen to. With 44 local songs on the list, it seems that home grown music is a force to be reckoned with. O r is it that we are growing even more patriotic as a nation? My trust lies in the talent. It comes as no surprise that Gotye's 'Somebody That I Used to Know' claimed the number one position, closely followed by The Black Keys with 'Lonely Boy' coming in second and Australian Idol's prize possession, Matt Corby's 'Brother' being voted number three. The voting process is a long and stressful journey; I admire the people who have the time to contribute to an event that makes Australia Day one hell of a party…THE BRONX SIDE PROJECT: For those who have not seen or heard of The Bronx, you would not believe that Mariachi El Bronx are their side project - that is if the Bronx part at the end doesn't give it away for you. The Bronx supported Soundgarden at Sydney Entertainment Centre just an hour before performing their own Big Day Out sideshow as Mariachi El Bronx. Matt Caughthran's voice transition is surprisingly sweet. They performed in front of a full house at The Metro Theatre, a place they stated as their home venue in Sydney. Completely stripped of rebellion and their punk rock style, they have stayed true to the Southern Californian origin with their heavy Mariachi influence obvious, dressed to the nines in traditional Mariachi costume. One must witness both live acts for themselves, depending on your mood at the time…COACHELLA 2012: Coachella's line up is enough to make one physically and emotionally sick with either excitement (if you had the cash to buy flights and tickets) or depression if you are dirt poor and committed to work or study Down Under. Coachella is held in Indio, California around the end of April each year. This year, a second weekend has been added, but we all know the first weekend is the one you want to be at. Headlining this mammoth bill are The Black Keys, Radiohead, Dr Dre and Snoop Dog. If you are already foaming at the mouth, check out the full line up. It is an upper to some but a downer to most who cannot make it. www.coachella.com...THE MAN IN BLACK - THE JOHNNY CASH STORY: Being a Cash fan from way back and having already toured with The Johnny Cash Story in 2010 and 2011, Tex Perkins & The Tennessee Four are returning showcasing two hours of Cash's legendary music interwoven with the story of his rise to fame, his struggle for survival, and his eventual redemption. Both Cash and Perkins have the baritone voices making Perkins the perfect candidate to perform faithful renditions of Cash's hits while he tells Cash's story in the third person between songs. Perkins' 27 years in the industry has equipped him with one hell of a back catalogue, with a capturing stage presence and voice similar to the man himself. Who else should pay homage to Johnny Cash but Tex Perkins?...VICE LAUNCH CHATEAU RDIO: Get two words - radio and audio, join them together and you get Rdio: pronounced ar-dee-o. Rdio could actually be the best thing since sliced bread. It is the ground-breaking digital music service that connects people with music and makes it easy to search for and instantly play any song, album, artist or playlist without ever hearing a single ad. With all of Australia now having access to Rdio's 12 million+ songs, Vice helped kick off the official Australian Launch at Beach Rd Hotel in Bondi. Being solely about the music, you could find a DJ in every room or a free drink at every bar…A TRIBUTE TO SOUL SISTERS: Sydney singers Jo Elms, Liza Ohlback and Kim Hart are back by popular demand after sell-out performances of their "First Ladies of Soul" tour in June 2011. The women are returning to Notes Live in Newtown after a successful show last year, but will feature more artists this time around, like Freda Payne, Gladys Knight, Natalie Cole, Randy Crawford and Roberta Flack. If you dig deep funk and raunchy blues, you better get in quick as there are only two "First Ladies of Soul" performances: Friday 10 February at Lizottes, 629 Pittwater Road Dee Why at 8:30pm. Tickets are $30 + booking fee. For bookings ph\ne: 9984 9933, online: www.lizottes.com.au. Saturday 11 February at Notes Live, 75 Enmore Road, Newtown at 8:45pm. Tickets are $30 + booking fee. For bookings phone: 1300 762 545, online: www.noteslive.net.au...
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Although having only been together in their current form for a short time, Melbourne (Victoria, Australia) based outfit Jericco certainly created quite a buzz for themselves in the underground scene with their much talked about hybrid mix of world music influences, all out progressive rock, and their much talked about powerful live performances.

Having released their self-titled EP in late 2008, and with the band recently officially celebrating the launch of their debut release in Melbourne, I caught up with vocalist Brent McCormick to talk about the band's multicultural background and the unique influence its had on the six tracks on 'Jericco', playing live and the McCormick's early belief in Jericco's potential - even before hearing a single note from the band.

"The formation of Jericco took place over a two year period, with me joining the band around eighteen months ago. Six months prior to that, Roy Amar (Bass player) and Luke Halstead (Drummer) had been jamming together and looking for other members. At the time, I was playing with my old band Jasper. We had been playing together for around four or five years at that point. We really wanted to go places, but we never actually got off our asses to do it properly. I had seen the ad that these guys had placed in Beat Magazine advertising for a vocalist for about a month, so I just decided to give it a go. I was still with Jasper at the time when I went and had an interview with Amar. But when I met him, he was just electric. He was such an unstoppable force. As soon as I met him, I knew that I had to make music with this guy. That was before I had even heard him play bass! (Laughs) We had a couple of jam sessions, and we knew pretty much straight away that the chemistry felt right. Apparently Amar and Halstead went through sixty odd singers before they found me. We needed a guitarist, so it wasn't long before Jordan Nagle (ex-Jasper guitarist) joined up, with Fetah Sabawi (Ex-Superheist/Revolución Street keyboardist/programmer) the last addition to the band."

Much like the gradual coming together of the band's members, Jericco's debut recording effort was a lengthy one. But despite the drawn out sessions, both McCormick and the band are more than happy with the end result.

"The EP took a long time to complete. Overall, it took us somewhere between four and five months to finish, because Nagle went on holidays and Amar went back home to see his family for a while. So while the recording sessions were a little disrupted within that time, the whole thing eventually came together for us in the end, and we're relatively happy with the results. In terms of the song writing, before I joined the band, nearly all of the songs had been pretty much written. So for most of the songs, it was pretty much me singing whatever I felt over the top. It was a case of me turning up to rehearsals and them saying, 'Here's the riffs, and here's the songs. See what you can do'. We've spent a lot of time on the vocals, and chopping up the songs in order to come up with the songs we have now. I think what we ended up with is pretty raw, but also something that has a lot of energy. So my job was to come up with something that would fit in with what was already written instrumentally before I entered the picture. There's a lot going on there. Apart from the first single 'Sun', which was written as a whole band, no song was the result of the band sitting down and putting together these songs at the one time. 'Sun' is possibly the only song on the EP that has more of a togetherness feel than the others. It doesn't feel as chopped up and put together as the others. And there are Sabawi's keyboards. Because he was the last addition to the band, all his keyboards were put down during the last stages of the recording process. We had already completed ninety percent of the EP, and getting ready to mix it when Sabawi added his parts. I agree that there are some sections on the EP where the vocals are pulling in one direction, and the music is pulling in another way, but we're really happy with the way it's come out."

As mentioned earlier, Jericco have a different take on the standard progressive rock sound, with Amar's Israeli cultural influences and Sabawi's Palestinian musical heritage adding a world music element to the band's overall sound. But while the line-up features both an Israeli and a Palestinian, McCormick states that the band isn't what you would call a political entity.

"There's a definite progressive rock and world music influence throughout our EP. We try and incorporate that because of Amar and Sabawi's backgrounds. You can find those Middle Eastern grooves throughout the whole EP. Those songs that you hear on the EP, apart from 'Sun' of course were nine minute jams before I joined the band! (Laughs) Amar and Halstead would put together like four of five riffs into these songs and just jam endlessly on them. But the influence of Amar and Sabawi is purely on a musical level. I mean we're not pushing the whole Israeli and Palestinian angle. We're certainly not political, or out to change the world. What I find we're trying to do is bridge that gap. It's more about putting it out there and letting people know what's going on in the world. I was never all that interested in the Israeli and Palestinian angle until I met these guys. We were just sitting down and then the war broke out just a couple of months ago overseas, and Amar was getting text messages from his brother saying that he was going in with the ground forces. And then it was Sabawi getting messages from his wife's family, who live in Gaza where buildings were getting blown up beside them. It's hearing it through those guys that I'm playing with, and seeing how it affects them, that really brings it all home with me. It never clicked until that moment. With the lyrical content, I made an effort not to get caught up in political debate. I don't write wholly and solely about those issues. I'm quite an introverted person, and I write from the heart. All of my lyrics pretty much come from personal stories, and where my life has taken me. 'Rujm (Pile Of Stones)' is one of the exceptions to that. The riffs in there are so heavy and in your face, so it's definitely one of our heaviest songs. It was while I was writing the lyrics that Amar suggested that I imagine the music as a background to war, and angle the lyrics more from his perspective. So I sat down with him, and he told me some of the most amazing stories. Amar has obviously served in the war, and he told me stuff that I would never have imagined possible. So that's where that song actually came from. And it was good experience for me, because it was a different way of writing lyrics and something that I had never taken on before. I tend to write about my own experiences. The song isn't that political, or based solely on any specific conflict, but more based around ideas that I grabbed from the guys that are in my band. We all have stories to tell, and this band gives us all a platform for that."

With the EP now released, Jericco have firmly set their sights on playing as many gigs as possible. And it's no surprise given the reaction to their performances in support of Mammal in recent times.

"We've only been gigging now for about nine months, so we've been pretty much living in our own shell of a rehearsal studio in that time and writing our EP. We've probably only done around twenty to thirty gigs. So far, they've only been small events, but having said that, our second show was with Dead Letter Circus. That was amazing. We've just come back from a tour with Mammal in Sydney actually. I'm still trying to come down from it! The responses to the live shows were phenomenal. I had this young girl come up to me and say, 'For the first band at the show, I never expected that! You don't expect that from a support act!' We sold around one hundred and twenty copies of the EP over the three shows we did in Sydney last weekend, and we've been getting an amazing response to those too. The response in Sydney was just phenomenal. There were two sold out shows on the Friday and Saturday nights, and then we had the all-ages gig that was pretty packed out too. The kids just loved it. We were having meet and greets and everything! (Laughs) The whole band signed about fifty discs. It was just amazing. It was really great for us."

High on the success of their recent interstate trek, Jericco hoped to repeat the same reaction from gig goers with the official launch of their EP at The Esplanade Hotel taking place just after this interview took place.

"That should be an absolute ballbreaker! (Laughs) It's going to be insane. We're actually playing with Bellusira, who are a band that we've played with a few times before. They're a great, hard working band, and a band that have given us a lot of support. We find it hard to find good bands that you can gel with, and stick together to put on some good shows. We found that with Bellusira. They're great people to work with, and have given us a lot of support. So we have them on the bill, as well as Twelve Foot Ninja. They've just started playing a few shows, and they're a great band as well. So it should be a great night on the front bar. The front seems to have claimed us a couple of times! (Laughs) It's a hard stage to play on. Before I went overseas, we played a show at the front bar with Ezekiel Ox And The Fury, and we had a few guitar problems. Everyone who is anyone that I look up to was there along with a bunch of bands, and we felt like we just blew it! (Laughs) So this is our chance to redeem ourselves. We've headlined two shows in The Gershwin Room, and there's been over five hundred heads in there, so we don't have a shortage of people coming to our shows. There's a bit of a buzz happening around our band and on the street at the moment, and I think it's all working really well for us. It's going to be a pearler of a night. It's all about hitting people in the faces, and I think people are captivated by that. There's plenty of energy and an obvious chemistry that people can feel with our live shows. There really hasn't been a bad word said about us. In fact, anything bad has come from ourselves. We are our own biggest critics. So I think it'll be a great night."

And as for the future, McCormick says the best is yet to come.

"The EP is a good start for us, but we want to keep it moving. We're writing new tracks at the moment. We're thinking about releasing a single within the next three or four months. That's just to get something new out there, and to keep people interested. If you keep with the same thing for a long period of time, people get bored very quickly, especially within the Melbourne scene where there is so much music out there every night of the week. We have to keep it fresh and new for people. The stuff that we're coming up with now sounds incredible. Because we're such a new band as well, we're still getting to know each other and feeling our way in the directional sense. It's amazing what we've grown to be, and just how tight a unit we've become as a band in our short time together. It's the most amazing thing I've been involved in. The new songs we have are progressing a lot more than anything we have on the E.P. We're fitting more together as musicians and song writers. What we do find with our song writing technique, we just haven't found a good technique to work with yet! (Laughs) I don't think that coming up with the stock-standard technique for writing songs is the way to go. I mean we'll jam on a few riffs, and if they work, we establish them further. But some of the new material that we've come up with is just brilliant. So we can't wait to release something new before the end of the year. But besides that, we're currently looking into distribution for our current EP. We're in talks with MGM, so we'll see what happens there. Outside of the EP, we're hoping to play all over the place this year. We're currently talking to a few big booking agents at the moment to book a few shows for us. We had a guy come and see us in Sydney recently, but I'm not allowed to talk about that yet! (Laughs) In the meantime, we have a good booking agent in Aaron Podoba at Third Eye Music. He's going at it at a million miles an hour for us, and doing some good things for us. We're about to do a small festival with Mammal and Trial Kennedy at the Queensbridge Hotel that's been sponsored by Triple M, so that should be absolutely awesome too. So we have no complaints on that front. We know as a band that we have a lot we need to work on, because this is really just a start for us. But as it stands, we have a lot of people doing the right things for us, and things are really looking great at the moment!"

I would like to thank Brent McCormick for his generous time, and Aaron Podoba at Third Eye Music for making the interview possible.

For more information on Jericco, check out - http://www.myspace.com/jericcoband

© Justin Donnelly - justindonnelly@ozemail.com.au

© 2012 Sydney Unleashed - All Rights Reserved - editor@sydneyunleashed.com