LATEST NEWS…BIG DAY OUT 2012: THE LOWDOWN: Big Day Out is amongst one of the most recognised festivals in the world. Returning to Sydney on Australia Day with headliners such as Soundgarden and Kanye West, organisers had a few other tricks up their sleeve. Entertainment didn't just present itself in the form of live music; pro skater Tony Hawk was in fine form, proving that he can still shred in his early forties. Australian bands Stonefield and Frenzal Rhomb did their nation proud on Australia Day being noted as some of the highlights of the day. For New Zealand, it was Big Day Out's last hoorah as the festival has already announced it will not be returning. Despite good reviews, attendance numbers are dropping. In 2010 Big Day attracted over 337,000 fans, last year's shows drew 300,000 punters, while this year the festival sold just over 173,000 tickets…SABBATH BLOODY SABBATH: After a 33 year break from releasing an album, Black Sabbath announced their comeback fittingly on the 11/11/11. The original band members are set to record a new studio album - their first with Ozzy Osbourne since 1978. Since the announcement, it seems as though black magic has plagued the band. Tony Iommi was diagnosed with lymphoma last month resulting in relocating recording sessions to London and pulling out of a planned Coachella headlining slot. Now it is drummer Bill Ward who seems to be having management difficulties after releasing a long statement indicating he will not be apart of the reunion unless he is offered a "signable contract" that "reflects some dignity and respect toward me as an original member of the band." Let's hope Ward gets the contract he desires so they can get on with it and we get Sabbath back…JACK WHITE ANNOUNCES DEBUT SOLO ALBUM: Almost a year ago, Jack & Meg White shattered the music world announcing that they would no longer be recording or performing live together. A man who will never remain silent has just unveiled his new solo single 'Love Interruption' and announced the release of his debut solo album. The 23rd of April marks the date of White's return when his debut solo album 'Blunderbuss' hits the shelves. Produced by White at his Third Man Studio in Nashville, White describes 'Blunderbuss' as "an album I couldn't have released until now… I've put off making records under my own name for a long time but these songs feel like they could only be presented under my name. These songs were written from scratch, had nothing to do with anyone or anything else but my own expression, my own colours on my own canvas."…TRIPLE J'S HOTTEST 100: Another Australia Day means another Hottest 100 count down, an event that most musically minded Australians listen to. With 44 local songs on the list, it seems that home grown music is a force to be reckoned with. O r is it that we are growing even more patriotic as a nation? My trust lies in the talent. It comes as no surprise that Gotye's 'Somebody That I Used to Know' claimed the number one position, closely followed by The Black Keys with 'Lonely Boy' coming in second and Australian Idol's prize possession, Matt Corby's 'Brother' being voted number three. The voting process is a long and stressful journey; I admire the people who have the time to contribute to an event that makes Australia Day one hell of a party…THE BRONX SIDE PROJECT: For those who have not seen or heard of The Bronx, you would not believe that Mariachi El Bronx are their side project - that is if the Bronx part at the end doesn't give it away for you. The Bronx supported Soundgarden at Sydney Entertainment Centre just an hour before performing their own Big Day Out sideshow as Mariachi El Bronx. Matt Caughthran's voice transition is surprisingly sweet. They performed in front of a full house at The Metro Theatre, a place they stated as their home venue in Sydney. Completely stripped of rebellion and their punk rock style, they have stayed true to the Southern Californian origin with their heavy Mariachi influence obvious, dressed to the nines in traditional Mariachi costume. One must witness both live acts for themselves, depending on your mood at the time…COACHELLA 2012: Coachella's line up is enough to make one physically and emotionally sick with either excitement (if you had the cash to buy flights and tickets) or depression if you are dirt poor and committed to work or study Down Under. Coachella is held in Indio, California around the end of April each year. This year, a second weekend has been added, but we all know the first weekend is the one you want to be at. Headlining this mammoth bill are The Black Keys, Radiohead, Dr Dre and Snoop Dog. If you are already foaming at the mouth, check out the full line up. It is an upper to some but a downer to most who cannot make it. www.coachella.com...THE MAN IN BLACK - THE JOHNNY CASH STORY: Being a Cash fan from way back and having already toured with The Johnny Cash Story in 2010 and 2011, Tex Perkins & The Tennessee Four are returning showcasing two hours of Cash's legendary music interwoven with the story of his rise to fame, his struggle for survival, and his eventual redemption. Both Cash and Perkins have the baritone voices making Perkins the perfect candidate to perform faithful renditions of Cash's hits while he tells Cash's story in the third person between songs. Perkins' 27 years in the industry has equipped him with one hell of a back catalogue, with a capturing stage presence and voice similar to the man himself. Who else should pay homage to Johnny Cash but Tex Perkins?...VICE LAUNCH CHATEAU RDIO: Get two words - radio and audio, join them together and you get Rdio: pronounced ar-dee-o. Rdio could actually be the best thing since sliced bread. It is the ground-breaking digital music service that connects people with music and makes it easy to search for and instantly play any song, album, artist or playlist without ever hearing a single ad. With all of Australia now having access to Rdio's 12 million+ songs, Vice helped kick off the official Australian Launch at Beach Rd Hotel in Bondi. Being solely about the music, you could find a DJ in every room or a free drink at every bar…A TRIBUTE TO SOUL SISTERS: Sydney singers Jo Elms, Liza Ohlback and Kim Hart are back by popular demand after sell-out performances of their "First Ladies of Soul" tour in June 2011. The women are returning to Notes Live in Newtown after a successful show last year, but will feature more artists this time around, like Freda Payne, Gladys Knight, Natalie Cole, Randy Crawford and Roberta Flack. If you dig deep funk and raunchy blues, you better get in quick as there are only two "First Ladies of Soul" performances: Friday 10 February at Lizottes, 629 Pittwater Road Dee Why at 8:30pm. Tickets are $30 + booking fee. For bookings ph\ne: 9984 9933, online: www.lizottes.com.au. Saturday 11 February at Notes Live, 75 Enmore Road, Newtown at 8:45pm. Tickets are $30 + booking fee. For bookings phone: 1300 762 545, online: www.noteslive.net.au...
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MAMMAL INTERVIEW

Despite only having been together for a little over three years, and having only managed to produce one full-length album (2008's 'The Majority'), Melbourne (Victoria, Australia) based hard rock/funk act Mammal have come a long way, with their reputation as a live act making them one of the most talked about acts on the Australian live scene.

Fresh from a stint of overseas touring, and having just released their new live CD/DVD 'Vol 2. Systematic/Automatic' (the follow-up to 2007's 'Vol 1. The Aural Underground'), Mammal (comprising of vocalist Ezekiel Ox, guitarist/backing vocalist Pete Williamson, bassist/backing vocalist Nick Adams and drummer Zane Rosanoski) have once again hit the road for a string of dates around the country.

With the band headlining the three stage festival 'Swarm!' at The Esplanade Hotel this weekend in St. Kilda, and plans for them return overseas in the coming weeks, I thought there was no better time to catch up with guitarist/backing vocalist Pete Williamson, and talk about the band's upcoming live dates, recording plans and their latest effort 'Vol 2. Systematic/Automatic'.

"The new live album was recorded at The Annandale Hotel up in Sydney about seven months ago. We had three consecutive shows booked in, being the Friday night, the Saturday afternoon all ages show, and then the Saturday night, and we thought it would be the perfect opportunity to capture a live show professionally recorded on multitrack. So we recorded all three shows, and along with another show we recorded last year at The Annandale Hotel. We already knew that we were going to record our shows at The Annandale Hotel before we actually played them, so it was just a matter of picking the performances. For our first live album, we recorded it all in one take, and at the one show. So this time around, we thought we would be a little sneaky and taken a few different performances from a few different shows. Obviously there's no overdubs or fixes or cuts in any songs. The bulk of it was taken from one show, and the rest were taken from the other shows. We simply wanted to get the best performances on there. I also think Forrester Savell (who mixed and mastered the album) did a really great job on it, as he always does. He's a very talented engineer. I really think the energy that Mammal captures live brings truth to our sound a lot more than any studio album could ever do. So that's why we've released two live albums so far."

As mentioned earlier, 'Vol 2. Systematic/Automatic' also comes with a DVD of the band's performance at The Ferntree Gully Hotel in April 2009. Despite the audio shortcomings of the DVD, the concert footage really does capture the band at their best.

"That's why the DVD wasn't released as an actual stand alone DVD. It's really just a bonus to the CD. We knew that the sound quality wasn't up to the standard of what fans wanted a DVD release from us to be. It's really just a massive one hour bonus disc of live footage in visual form. It's more about trying to capture a different aspect of the band on the road. We had a video guy (Jason Williamson of Oi Productions) travel around with us. That was just the one show too. We thought visually, it was real strong, with some great lighting and a great performance from us. That's not edited either. That's just us playing, and what the front of house desk was picking up. So if you kind of crank it up, and look at the show for what it is, it's not so bad for a bonus. And as a whole, with all the snippets of in-between footage of us on the road, capturing us being really bad at mini-golf, sleeping on the front in lots of different places and being completely exhausted from travelling around, I think it gives a bit of personality to the band. There's a fair few funny laugh moments in there too! (Laughs) We do have plans to release a proper DVD in the future. We've been videoing so much over the last couple of years. We have a lot of content that we didn't put on that DVD that we will fill up with some international touring footage and things like that. But that's all further down the track. We'll eventually film a show and capture the sound in full multitrack, and release that as a proper full-length DVD."

Apart from the new live album, the other major achievement in the band's recent history was their recently completed U.K. tour.

"We took a two week trip over to the U.K. It was amazing to play two hundred to three hundred capacity venues in front of the Brits. The response was amazing. We've had a lot of support for our video 'Smash The Piñata' over there, along with some radio support. It was great to get over there and see that we had already made an impact. And we've been invited back again too. We're going back there in November and December to tour with a band called The Answer (Northern Ireland rock band). We'll end up doing fifteen dates all throughout the U.K. Things are going really well over there. They're definitely getting the music, and the band. They really love the energy. We just got sent a review from the London show, and it was a five star review from Kerrang! Magazine. We really didn't even have any real lighting, and we were playing in this sweaty venue with us jumping around giving it all we had. I don't know how we'll ever top that kind of review. We could play Wembley Stadium with a million dollar lighting show with props and stuff blowing up, and we'll probably only get three and a half stars or something. We've worked so hard just to get inside the door, and it's starting to work for us. People don't bother writing anything about us unless they really dig the band. We're not really shown a real lot of love unless they're big fans of the band. We're not a fashion band or anything like that. It's just great when we get respect for something that we believe we do well, and that the fans get into. You can go see an indie band and see ten people there, and they'll get the best review ever and all the support under the sun. We do the hard work selling out venues, and it's great when fans are there to show their support."

And there are plenty of fans that are showing up in support of Mammal too. While the band have enjoyed some modest success on both the sales and radio play side of things, it's live where they are really making an impact.

"We don't feel like it's happened that quickly. We've just worked constantly. We've spent years developing this musical project and business. We've just slogged, and done everything we could do in that time. We've rarely said no to a gig, and as soon as we had enough money to go overseas, we went and did that. We're not saving our pennies for anything. We're putting it straight back into the music. That brings you so much more in rewards I think. We're a very fiery band, and we're always at each other trying to improve the show and make sure that it's an energy filled experience. I guess that was one of the good things about the U.K. tour. We were talking, and we missed playing the smaller clubs just a little bit because we miss being locked in with the whole crowd, rather than just being locked in with a couple of hundred people. That's the real key as this thing gets bigger - trying to engage with everyone. Ox is great, because he can really get to those people at the back, and get right into their face. And the whole band feels that a whole lot more in a small venue, and helps us hone that craft our there in the bigger venues and festivals. Our fans are just so dedicated. They keep coming back and support us. People will stop us after the show and tell us how they saw us here and there, like at The Big Day Out Festival, or supporting Kiss. And then there's the forum. It's actually run by the fans. We didn't even set it up originally. It was set up by some really kind fans of ours, purely because we didn't have one. Now it's been fully taken over by a big group of fans. It's amazing to have that support of a bunch of hardcore music lovers who do that for the band, and bring other people in, and create that discussion around the music. It's really inspiring. So they're coming back and buying the tickets, the merchandise and all of the releases, and in the process sustaining us so that we can move forward quickly. So we're just very fortunate that we have a fan base that doesn't get bored after seeing us once live! (Laughs)"

No doubt of a lot of the Mammal faithful with be out once again when the band take to the stage at The Esplanade Hotel in St. Kilda this weekend as headlining act at 'Swarm!'

"We've never played in the Gershwin Room before. It's such a grunge era/punk rock room, it's just going to be a joy to play there. We've all seen a lot of gigs there. There should be a healthy crowd there, and plenty of spots there for Mammal to expand the show to stage the show from there to a couple of bars further down! (Laughs) We'll make it one big revolving stage. The pre-sales have been really healthy so far, and given that it's the Espy anyway, it'll no doubt be full. All I can say is get down there early and grab your tickets now before it completely sells out. I think there's something like twenty five bands playing on the night, and a lot of fresh faces amongst them too. And a lot of great bands I might add too, such as MM9 and Jericco. We're really looking forward to it. We're going to try and get there early ourselves and catch a bunch of bands as well. I want to really catch K-Oscillate. I've always been on tour when they've played, so I'm keen to see them. I just want to get amongst it, and be a part of the scene."

Looking toward the future, Williamson has assured me that even though the band have just released a new live album, new music is being worked upon for a new studio release.

"We haven't actually recorded anything yet, because we're still in the writing stages. We've had an EP, a live album, a studio album and a single, and now this new live album, even though it doesn't have any new material on it. So in a sense it's kept us really busy in the interim. Now there's that feeling of the second album. We haven't released this massive multi-million selling pop album, so there's not these pressures put on us by these corporations. There's just the pressure we put on ourselves, wanting to just write the most kick arse rock record ever really! (Laughs) We want the melt your face off kind of riffs on there. So that's all kind of kicking around. We want to step the riffs up and make them bigger, and the breakdowns bigger, and the moods broader. If you can imagine the splitting of an atom, it's that kind of energy that goes in and gets expelled when it happens. That's kind of what's going on at the moment. So we're fighting it out, and hopefully that will mean it will be a step up on all fronts. Personally, I'm just going to try and stretch my guitar performance out as far as I can. We'll hopefully be able to afford more time in the studio this time around too to refine things. Up until this point, we've had to do things on a tight timeframe. That's not a bad thing, because you can capture that honesty. But in saying that, we haven't had that creative time to stretch things out. Hopefully that time is now."

While the band is keen to broaden their sound in the studio, it does bring up the question about being able to reproduce the same sound on stage. But as Williamson points out, there are clear differences between Mammal live and Mammal in the studio.

"We've just come to the point where the two are very separate things for us, and that the pair gives people very different experiences. People will always come and see a band like Mammal live I think. And I think what we want to do is experiment a little more in the studio. We might want the snare to have a lot of reverb on it, and these toms to sound a certain way, or the guitar to be reversed. We're going to go there knowing that the core riffs, the core grooves, the lyrics and the melodies will work being carried across as a four piece punk rock tune. I sometimes think people get too carried away ensuring that the guitars are on track and the synths are being played simultaneously while playing onstage. I think if you have a core kick arse song, you only add the extra flavours for the studio release and the headphone listener to peak on, but those things are lost when you go and play it live. That's not something that we really give a fuck about. We're not that kind of band. What we do bring to it when we lose those things is the energy and the interaction, and the chopping and changing in response to what the crowd is feeling, and putting that into the song. And that's the reason why we can get away with releasing the same songs on a studio album and a live album. People can take away very different things from both versions I think."

Aside from the U.K., Mammal has also managed to get a foot in the door in the U.S. as well, with 'The Majority' released through Bieler Bros Records, who also distribute Western Australian act Karnivool in the U.S.

"The plan has gone a bit differently over there, and they've picked up the title track as the first single release. Here in Australia and the U.K., it was 'Smash The Piñata' that got picked up first. But it's worked out well, because in the U.S. the album's been added to around twelve rock stations so far, and we're starting to feel the effect of fans comments and interest from over there. Look, its early days on that release, but getting a track like that being added to radio has sparked some attention, and it has gotten the band and the band's message out there. Hopefully it will build up, and get us there like it has done in the U.K., and we can go play to a fan base that is already there and waiting for us. That would be a real result."

With a release in the U.S., and another in the U.K., a new live album released here in Australia, a recently completed U.K. and a return visit planned next month, and all without a second studio album to their name. It's almost safe to say that Mammal is virtually on the verge of global domination.

"It's quite manic when you list it like that, and it makes me feel quite big. But the life of 'The Majority', even though its ending its life here in Australia, it's only starting its cycle internationally. So we have to keep the energy up for ourselves to play those songs to a whole group of new people, as well as remaining focussed on the next album and our plans for next year. So there's a lot to concentrate on, and a lot to look forward to, but in the same respect, the band is on fire at the moment, and things are really starting to go well on the live front. We're really enjoying it, and this upcoming 'Swarm!' show is going to prove that!"

I would like to thank Pete Williamson for his generous time, and Aaron Podoba at Third Eye Music for making the interview possible.

For more information on Mammal, check out - http://www.mammaltheband.com

© Justin Donnelly - justindonnelly@ozemail.com.au

© 2012 Sydney Unleashed - All Rights Reserved - editor@sydneyunleashed.com