LATEST NEWS…SYDNEY'S WES CARR WINS IDOL: A peak of 1.85 million viewers tuned in to witness Bondi's Wes Carr take out the 2008 Australian Idol crown. The former Tambalane frontman fulfilled his ambition in front of an Idol audience that surpassed 2007's figures with Ten's chief programming officer David Mott announcing that the show will return in 2009. He says, "While we are thrilled with the performance of the show this year, we know that simply means we have yet a higher benchmark to exceed in 2009 - when Australian Idol will be back with new production elements, lots of surprises and, of course, a group of unpolished diamonds all hoping to be turned into our Idol." Wes Carr picks up a recording contract with Sony Music. Watch out for his cracking debut single, 'You'….AXL'S DEMOCRACY: Axl Rose has finally released the most expensive and most anticipated album in the history of music - 'Chinese Democracy'. Released under the Guns N' Roses moniker (despite being the only remaining original member), Rose has reportedly spent up to $20 million and taken almost 15 years to finally complete the record. This is the band's first new material since 1991's simultaneous release of 'Use Your Illusion I & II' which took over the top of the charts upon debut. The band's 1987 full-length debut 'Appetite For Destruction' remains one of the biggest-selling albums in history with sales of over 28 million worldwide. Reviews for the new album are mixed but co-managers Irving Azoff and Andy Gould remain optimistic. They say, "The release of Chinese Democracy marks a historic moment in rock 'n' roll and we're launching with a monumental campaign that matches the groundbreaking sound of the album itself. Guns N' Roses fans have every reason to celebrate, for this is only the beginning." The beginning indeed with 'Chinese Democracy' parts II and III set to be unleashed over the coming years….TAYLOR SWIFT'S #1: 18 year old sensation Taylor Swift has scored a massive #1 debut in the US with her 2nd album 'Fearless' recently debuting at the top of the Billboard charts. In the process, she also scored the highest first-week total for a female artist this year with over 592,000 copies sold! Swift has struck a deal to have the album released by Universal Music Group internationally. Swift is also planning her first trip to Australia in March playing at Brisbane's Tivoli on 5 March, CMC Rocks The Snowys Festival (7 March), Melbourne's Billboard (10 March), and Sydney's The Factory (12 March). 'Fearless' is out now….U2'S DIARY: Author Matt McGee has just unleashed 'U2: A Diary' - the single most comprehensive resource that details all of the relevant day-to-day events that have shaped U2 into the band it is today. The book provides stories and insights that have never been told before and includes input from fans who have contributed their memories and personal photographs of the band. The book sheds light on several stories including the band's 1978 victory in a St Patrick Day's talent contest which led to their first studio session with CBS, Bono's visit to Central America in 1986 which led directly to several songs on 'The Joshua Tree', and U2's struggle to finish the 'Pop' album and its impact on Universal Music. In other book news, U2 are also featured in Chris Charlesworth's '25 Albums That Rocked Your World'. From Elvis Presley's 'Sun Sessions' right through to Radiohead's 'OK Computer', the book explores the very best of rock and pop music of the 20th Century. Both books are available now….NEW DVD FOR LESS THAN 50 CENT: Rapper 50 Cent is giving fans their money's worth announcing that his 2009 due 'Before I Self Destruct' album will come with a free DVD of a full-length original movie. Written, directed and starring Curtis Jackson (aka 50 Cent), the gritty 90-minute film is a coming of age story about an inner city youth who is consumed by revenge and takes up a life of crime in order to support his younger brother after his hardworking single mother is tragically gunned down. The album on the other hand sees 50 Cent once again working closely with Dr. Dre and Eminem and is led by the club-friendly first single, 'Get Up'. The album is scheduled for a February release….NSW'S THE LAZY'S WIN JD SET: Central Coast five-piece The Lazy's have become the very first winners of The JD Set. Voted by the Australian public as their favourite live performance, The Lazys were awarded at a special function at the Prince Bandroom in Melbourne on 20 November. The Lazy's burst onto the scene in 2006 combining punk's raw edge and anthemic rock and were highly chuffed after the announcement. The band said, "Winning the Jack Daniels Set Award for 2008 means a lot to us, knowing that more and more people are following our music. The support that Jack Daniels has given us has helped us reach out to more and more people who in turn voted for us to take the Award and to them we are grateful. The support that JD are giving us next year is fantastic as we will be touring our new EP which is due out at the end of February all being well, so with the financial support for touring taken care of, we can just concentrate on what we do best!! So thanks a lot to everyone who has supported us, we can't wait to see you in the future!!"… YUNUPINGU DOMINATES AIR AWARDS: Independent music was celebrated at the recent AIR Awards which were held at Melbourne's Corner Hotel in front of 500 members of the music industry. Guests were treated to incredible live performances by Lior, Felicity Urquhart, Geoffrey Gurrumul Yunupingu, Grafton Primary, The Herd, The Getaway Plan, Eddy Current Suppression Ring, The Drones and special guest Martha Wainwright. But the night belonged to Geoffrey Gurrumul Yunupingu who walked away with three AIR Awards including Best New Independent Artist, Best Independent Album, Best Australian Independent Blues/Roots Album for his critically acclaimed 'Gurrumul' release. Other winners on the night included The Herd (Best Independent Artist and Best Independent Urban/Hip Hop Album for 'Summerland'), The Getaway Plan (Best Independent Single/EP for 'Where the City Meets The Sea'), Eddy Current Suppression Ring (Best Independent Hard Rock/Punk Album for 'Primary Colours'), Bec Willis (Best Independent Country Album), Peret Mako (Best Independent Dance/Electronica Album for 'The Devil is in the Detail') and Tina Harrod (Best Australian Independent Jazz Album for 'Worksongs'). Congratulations to all of the winners….BACARDI EXPRESS 2009: The Bacardi Express train is returning in 2009 and will take five bands on a rock and roll adventure of a lifetime from 26-28 March 2009 stopping off to play exclusive concerts in Melbourne, Wagga Wagga, Wollongong and Sydney. UK DJ sensations Groove Armada will headline in Melbourne and Sydney while more acts will be announced in January. The DJs say, "We can't wait to climb aboard the Bacardi Express - DJ decks and plenty of time between stations can mean only one thing - FUN! It will be great meeting some of our fans and other artists on the train journey before stopping off to play in Melbourne and Sydney. All aboard…next stop Party Central!" Concert tickets will be limited and can only be won through registering at www.bacardi.com (registration opens early 2009), selected bars and via Channel V who will air all the action from 15 May next year….V FESTIVAL RETURNS: The Killers, Snow Patrol and the Kaiser Chiefs have been announced as some of the headline acts for the 2009 V Festival which makes its return to our shores in March. Back for its third year, the 2009 event promises to be another corker with Elbow, Duffy, Louis XIV, The DØ, Tame Impala, The Temper Trap and Canyons all also confirmed to play. Tickets will go on sale from 28 November but those who can't wait can pick up some pre-sale tickets at any Virgin Mobile store from 19 November….BDO SIDE SHOWS: If you missed out on tickets to next year's Big Day Out, then fear not! A whole host of side-shows have just been announced for some of the festival's headline acts. The Prodigy will be playing special one-off shows at the Hordern Pavilion (Sydney) on 24 January and The Palace (Melbourne) on 29 January while fellow UK act Simian Mobile Disco will be playing the Metro on 21 January (Sydney) and The Prince Bandroom (Melbourne) on 25 January. Sheffield quartet Arctic Monkeys will play the Enmore Theatre (Sydney) on 22 January and the Palais Theatre (Melbourne) on 24 January while Perth's Pendulum will hit the Enmore on 25 January and Melbourne's Forum on 28 January. Chicago hip hop trailblazer Lupe Fiasco will also be playing the Enmore on 20 January and The Palace on 27 January while London's Hot Chip will be hitting the Enmore on 21 January and Billboard (Melbourne) on 25 January. System Of A Down's Serj Tankian has teamed up with Mike Patton's Fantomas for some shows at the Tivoli (Brisbane) on 21 January, Enmore Theatre (Sydney) on 24 January, and The Palace (Melbourne) on 25 January. If that wasn't enough, you can also catch The Ting Tings (Metro - 20 January, Prince Bandroom - 28 January), TV On The Radio (Metro - 24 January, Hi Fi Bar - 29 January), The Black Kids (Gaelic Club - 20 January, Corner Hotel - 24 January), and the Dropkick Murphys (Metro - 25 January, Billboard - 28 January). All tickets are on sale now....
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When Swedish melodic death metal/post-thrash outfit The Haunted released their fifth studio album 'The Dead Eye' in 2006, it took many by surprise. Instead of reproducing more of what the band had delivered in the past, The Haunted (who comprise of vocalist Peter Dolving, guitarists Patrik Jensen and Anders Björler, bassist Jonas Björler and drummer Per Möller Jensen) instead decided to experiment, with the album boasting a darker, mid-tempo and more atmospheric approach to their sound. Despite receiving mixed reviews upon release, 'The Dead Eye' proved that The Haunted were willing to try something new and push the envelope of experimentation beyond fan's expectations.

Two years on and The Haunted are back with their sixth full-length release 'Versus'. With the album having just hit the shelves, and the band about to undertake another tour down here in Australia, I caught up with vocalist Peter Dolving at home in Sweden to talk about the new album, and the positives responses to the band's return to their classic sound.

"Everyone who likes gothic metal, make-up and vampirism will obviously hate us of course! (Laughs) But seriously, we're getting pretty mixed opinions about the new album. But that's cool. I think that's a really good thing. I mean, there was like a horrendous review in Terrorizer Magazine. At first I was a little taken aback, but then I realised that the author was out of the loop and that he had no clue. Because of that, it really didn't matter in the end. I understand that 'Versus' is an album that you'll dig and get into if you're into The Haunted. But if you're not into the band, don't really know a lot about the band and you're really opinionated, then this is one of those albums that you can really get into and dissect and throw shit at! (Laughs) I think it's definitely a rock out and confronting kind of an album. And that's something that we're really happy with. That's kind of the point of the album."

While some fans may be a little cautious about the direction of 'Versus', they needn't be worried as the album sounds like a mix of 'rEVOLVEr' (2004) and 'The Dead Eye', along with a couple of new surprises thrown into the mix.

"I think we tried to write a mixture of songs with all the stuff that we think is cool, that we like to play and that we really enjoy hearing. I think it also grew out of touring, as well. When we started talking about making this album about a year and a half ago, the conversations really revolved around talking about all the good things that we liked each other doing. So it was like, 'You know when you do that thing when you play that kind of riff, I really like that!' I mean we're family, as well as friends. We spend more time together than we do with our other families! (Laughs) So as the conversations progressed, we started asking ourselves why we play the songs we do? Why do we play particular songs over and over again? In the end, it turned out to be certain things that we really enjoy, and it was those things that we wanted to get better at and see evolve from what we originally did. And I think musically, that's where this album really takes off."

With a renewed focus on what they wanted to achieve from a song writing point of view, the band headed into the studio to lay down 'Versus'. And it was this clear idea of what they were setting out to achieve that allowed the recording sessions for 'Versus' to be the band's quickest and most stress free to date.

"We had the album written well before we started recording it, and that says a lot. I mean we put a lot of work into this one ahead of time. We made sure that we had the album thoroughly rehearsed before we headed into the studio. We had it so down, that it took us like eight days to put the album together. We virtually recorded like a couple of tracks a day. On top of that, Anders Björler did some solos, and then I put the vocals down. That took an extra five or six days, or something like that. So it was a very quick and laid back recording process really. Overall, 'Versus' was easily the easiest album we've ever recorded."

As you would expect, 'Versus' contains its fair share of classic thrash anthems that have become a trademark of The Haunted, but perhaps one of the most striking is the album's opening track 'Moronic Colossus', which is full of Dolving's biting lyricisms.

"I think lyrically, that song is more about an attitude, rather than aiming at any one particular person. I could write down a list of thousands of people that I could relate that song to. I quite literally used to have a black book man! (Laughs) I'm seriously not kidding you! But it's way beyond that. We could all be the moronic colossus at times. More than anything, I think it's really about an attitude. It's that attitude of ignorance that's kind of absorbed all of our culture. It seems to be O.K. to be a fucking idiot! It's seems to be O.K. to project this redneck, macho, bullshit kind of persona. It's not even macho. It's more this icky kind of surface crap that we portray to others, and that mindset that thinks its O.K. being a moron just for the sake of being a moron. It's about trivialising human beings, and defending that kind of shit. People are vigilant about it. It's tooth and nail. They think it's their right to be a fucking idiot! (Laughs) What I say is fuck them, and fuck the attitude! Because in the end, when it comes down to it, if you're on a one to one basis with someone, face to face, people are not that stupid. People are not morons, or idiots. But a lot of the time, we choose to be morons, and that's really sad."

As mentioned earlier, 'Versus' still retains some of the band's experimental feel of 'The Dead Eye', particularly in the moody and strange sounding 'Skuld'.

"That song is more of an emotive interlude. O.K. let me put my pretentious hat on for a moment! (Laughs) 'Skuld' is a Swedish word that means guilt. There's kind of a Swedish folk song that is called something along the lines of 'Consolation Song'. It's a song that you sing to someone who's really sad or heartbroken, or a child that can't sleep. We're not a very Christian country, even though the church is really big here. Profane music has always been very strong, and that has helped keep traditions here in Sweden alive and really strong. We've never had the really strong Catholic world here either. But we've always had our own ways of dealing with pain and shame. In other words, we don't need a priest to tell us! (Laughs) It's O.K.; we'll take care of each other. That's kind of the idea of where that song came from. It's sort of saying that it's O.K. to allow the weight to come off your shoulders, so that you no longer have to carry the burden. It's a way of moving on once it's gone."

With three truly diverse and stunning releases under their belt, The Haunted is well and truly on the top of their game. But while it's clear that The Haunted have always been together in a musical sense, Dolving admits that it's only now that the band is united in their drive to take The Haunted toward the future.

"There's a good feeling within the band right now. It's good. The At The Gates reunion road tour was really good for the band. Initially, it sucked ass, especially financially because the Björler twins were going out on tour, and we weren't! (Laugh) It initially started out as eight shows, and they ended up doing close to fifty. So for close to six months, the other three of us have been fucking poor! (Laughs) But it's been so good to have the twins back. They needed to do that tour, because I think it gave them the chance to get At The Gates out of their system. It was really good to see them when they got back. It's like they got to finish it, and in a good way, and they could finally move on with The Haunted."

With the album just hitting the shelves, The Haunted is looking forward to taking to the road once again. And although the band has toured the world countless times before, Dolving says he can't wait to get out on the road and visit Australia once more.

"So far, we've only done around ten days to two weeks worth of touring here in Scandinavia. We've had the last week and a half off. But on Monday, we head out on a plane and don't get home until Christmas. One of our first stops on this tour is Australia, and that's really, really sweet. We've been looking forward to it. We love touring Australia! Fans can expect to hear plenty of songs from the new album, along with a mixture of everything we've done before. That's what we generally try to do. I mean, this is our sixth record, and we like to throw in a little bit from every album. It'll probably be a lions share from the last two albums. But we'll play plenty of stuff from the previous albums too. We didn't make it down to Australia while we were supporting 'The Dead Eye', but we're coming back this time! We have a lot of new stuff to play to our fans, and we can't wait to get down there and destroy!"

I would personally like to thank Peter Dolving for his generous time, and Andrew Haug at Century Media Records for making the interview possible.

For more information on The Haunted, check out - http://www.the-haunted.com

© Justin Donnelly - justindonnelly@ozemail.com.au

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